The Literature

She in any case has more ready reasons for needing money, of course, because she loses a good deal of money at separate when visiting the home of some rich friends. For them, such a loss would be nothing. For her, it is considerable, and she knows she would ne in disgrace if the fact that she cold not pay it off ever came to light.

Lily's spatial relation is app atomic number 18nt when she meets Selden in the early part of the book and asks if he minds not having sufficient money to buy all the books he wants. She says then that a opus may and a cleaning womanhood must marry for money. She makes a strong case for wherefore women have to think differently than men in this confederacy:

Your coat's a little shabby--but who cares? It doesn't keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. . . We are expected to be pretty and well-dressed till we drop--and if we can't keep it up alone, we have to go into partnership (Wharton 12).

This is how wedlock is treated in this social setting, as a partnership, with the woman providing her beauty and the man providing the clothes.

This is also a world of fragility, especially for women, and a woman can find herself on the outside of the social survey for the most innocent of reasons. This is what happens to Lily, who has done nothing wrong b

Jake in The Sun also Rises is a particularly significant character in that the action of the twaddle is revealed through his narrative, and the degree to which his words can be indisputable is important. His sensibility colors the novel in a modal value that that of the other characters does not. Jake is especially able as a reporter of events because he tends to be dispassionate. The story is his version of certain events, stand as a confession of a betrayal he committed and that he wants to explain in this written form. He blames himself for what happened and not others, so his narrative should not be seen as an attempt at expiation. If it were, what he says about others might be suspect, as if he were trying to put the blame on them.

The fact that he is confessing his own "sin" adds credence to what he reports.

A different sort of accommodation is made by Virginia Richmond in "the Thinker," for she refuses to believe the stories told about her husband's indiscretions when he was live:

Fitzgerald, F. Scott. The Great Gatsby. New York: Charles Scribners' Sons, 1961.

Willa Cather tells the story of Marian Forrester in A Lost Lady, and for Marian her marriage is not what outsiders think it is. She is marry to a rugged empire builder in the Midwest, superior Forrester, and Marian seems to be the perfect wife. She is a gracious hostess, and her neighbors emotional state up to her. Niel Herbert is one of those neighbors, the one who actually tells her story. He has been in love with her since he was a child, and as an adult he becomes her confidant. To him, the woman is not only fascinating but also something of a mystery, her moods and behavior changing so radically in his view that he cannot make sense of her character. While she seems to be the perfect wife, she takes a lover, a friend of her husband named click Ellinger. When her husband dies, she turns to Ivy Peters, the man who takes over her home. Peters later marries, and marriage now reverses the move
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