The biographical details of Joyce's life

Only an exile, for example, could watch Eveline exist the potentialities of the unknown away from Dublin as less lovable than the devil she knows--physical and verbal abuse from her father, a life of firm drudgery, the shriveled psyche born of virginal lovelessness. According to Sutcliffe, "Eveline" was a "gallant tribute by Joyce to his beloved, Nora Barnacle, who did defy family anger and neighborly constraint when she courageously sailed off with him into an unknown future in October 1904" (10).

But perhaps only if a stern Jesuitic education could squander positioned Joyce so ideally as a critic of the society that such an education was surely intend to endorse. Further, evidence of the preoccupation with faith in general and universality in particular in Joyce's texts speaks as overmuch to a need to sort out the problem of God as to a simple rejection of faith. This does non mean, of course, that Joyce's critical stance toward the perform can be dismissed as a blazon out for faith. In that regard, Hodgekins points to "Joyce the man standing at an equal blank from Catholic belief and from modern liberal Protestantism, since like Stephen Dedalus he rejected the one for its claims to power over him and despised the opposite for its denial of any power

If "Araby" is a coming-of-age story about the perils of entering manhood and the vicissitudes of the battle of the sexes, it is as a meditation on the special diffi madnessies of maturity for a boy whose entire experience is suffused with the symbols and dogma of Catholicism. The boy lives come a Catholic school for boys. Around his home argon books with Catholic themes or referents. His parents' lodger had been a priest. The sense of a particular kind of atmosphere--"musty from having been long enclosed" (Joyce 18)--pervades not only the house but all that is associated with the morally and emotionally sheltered life of a quietly devout, but intimately aggressively narrow, family in Dublin.

Ostensibly, "Araby" is built around the efforts of a teenage boy to impress a young missy by buying a gift for her at a funfair from which the story derives its title. Arriving too late, after most of the bazaar booths have shut down, he is disappointed and frustrated, unable to achieve his purpose. He imagines himself a knight in shining armor, her a maidservant for whom he does great deeds. "I imagined that I bore my goblet safely through a throng of foes" (19). She--his best pal's pip-squeak sister--is unattainable Woman, as unattainable and therefore as much an object of obsession as the Virgin was the medieval knights who embraced the cult of Mary. His devotion to her is characterized in religious terms: "Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand" (19). The alter of heroic and religious imagery that appears throughout "Araby" is a tell apart with the immature confusion that can be felt only by a young boy struggling to hypothesize and feel maturely. The boy cannot assign labels to his feelings because he is only meet aware of how important they or feelings very like them will be to him as an adult. He speaks of his "confused adoration" for the girl (20) and murmurs "O love! O love!," not quite an knowing what it means. In a sense the ov
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