Hawthorne The Marble Faun

Donatello is the main char symbolizeer in this novel, and we will watch his character development from a solid ground of innocence to a state of experience akin to Adam's f on the whole. Donatello progresses from the detached gaiety of youth to the reflective self-examination of maturity. The model-monk is the character which religious services turn Donatello from innocent faun to tainted man. Donatello murders the model-monk to rid Miriam of her persecutor. When he first commits the act that are both exhilarated: "She glum to him-the guilty, blood-stained, lonely woman-she turned to her fellow criminal, the youth, so lately innocent, whom she had drawn into her doom. She pressed him coating, close to her bosom, with a clinging embrace that brought their two optics together, till the detestation and agony of each was combined into one emotion, and that, a patient of of rapture" (Hawthorne).

The rapturous feelings shared by Donatello and Miriam are short-lived. Donatello's burgeoning sense of right and wrong fills him with guilt. He withdraws from social contact, growing more depressed daily. The other characters now display different reactions and emotions toward Donatello, the sinner. Kenyon understands it requires sin to reveal kindness and redemption. He will try to lead Donatello to salvation. Miriam also tries to help Donatello by persuading Kenyon to help alleviate his state of mind. Donatello agrees to tour the Tuscan countryside with Kenyo

The growth and maturity we find exhibited in the development of Donatello and Miriam is not witnessed in Hilda's development. Hilda cannot deal with the emotions deluging her heart and mind after containing the approval of Miriam with respect to Donatello's bloody act. Whitheras Kenyon has informed Donatello that one of Miriam's highest points of worth is her magnetism, Hilda cannot handle this because it frightens her and threatens to undermine all of her illusions. As she tells Miriam" "If I were one of God's angels, with a nature incapable(p) of stain, and garments that never could be spotted, I would keep ever at your side and try to lead you upward.

But I am a poor lonely girl, whom God has set here in an evil world, and given her only a albumen robe, and bid her wear it back to Him, as white as when she put it on. Your powerful magnetism would be too much(prenominal) for me" (Hawthorne).

Hawthorne, N. The Marble Faun. Available: http://www.under thesun.cc/Classics/Hawthorne/marblefaun/, Brothers Huess, 2000.

Kenyon admonishes Miriam for Donatello's transformation from a " brainsick and happy state" to one of thinking that the hoys he cannot find elsewhere he can "find on macrocosm" (Hawthorne). Nevertheless, Kenyon also encourages Donatello to see all of the values possessed by Miriam, including "a suggestive power, a magnetic influence" (Hawthorne). We see in this scene that Donatello has experienced another transformation. His awakened sentience has provided him with some level of worth. He has moved from his solitary, animal-like existence to a place of sum with mankind. Kenyon ends this scene by reminding Donatello and Miriam of the strength of their union: "The bond betwixt you, therefore, is a true one, and never-except by Heaven's protest act-should be rent asunder" (Hawthorne).

n, culminating in a conflict of Miriam and Donatello in front of a bronzed statue of
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