such(prenominal) of Willy's problem in the scene with Howard is, of course, manufactured by himself. Willy could ne'er have kept pace with the changes in the business human beings because he never saw that world for what it was in the starting line place. His linguistic process in Howard's office makes it clear that the gospel of " getting ahead" that he had been promoting for himself and his sons was based on his own wound up needs rather than any sense of what business was about. The speech begins with a pretended knowledge of his own father and continues with the stand-in father, Dave Singleman. The career of Dave, the appropriately named single man, is, of course, mostly the work of Willy's imagination. The distinguish that Dave go
t from the world was Willy's accredited goal. When he was unable to get that love elsewhere he built it into the legend of Dave, the man who was the best at the job that Willy made his career.
But, as knowledge of the true emptiness of his ideals becomes ineluctable during the play, Willy merely grows more eager to reassure himself that, even if he failed, these ideals will turn out to be the key to felicitousness for Biff. Willy's eagerness to hear that Mr. Oliver has given Biff a " crank encounter" lays out his manner of dealing with reality clearly. He's just about in a daze when he meets his sons at the eatery and Biff's "sure, Pop, sure" does not faze him as he turns to quick and says, "Imagine, man doesn't see him for ten, twelve years and gives him that kind of welcome!" (107). At this point Willy has clearly put Biff in his own situation from many years ago. In Willy's mo fantasy Biff earns the welcome that Willy hoped he would get if he could just find his father in Alaska. The murkiness amid business 'fathers' and Willy's absent father, and the manner in which he passes that confusion on to his sons, is only clear in that single short-circuit exchange.
Page numbers given here are for the variant cited and will vary considerably from text to text. The citations are all from Act Two.
With no role models except his disappearing father, his sensible but money-oriented brother Ben, and the legend of Dav
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