Ward Stavig's "The World of Tupac Amaru"

Claudius, critical point's uncle who has become King of Denmark in the aftermath of the previous king's death, pointedly asks Hamlet, "How is it that the clouds still hang on you?" (I.ii.66). From Hamlet's point of view, this deep depression is quite normal, unless Gertrude, his mother, who has hook up with Claudius, her deceased husband's brother, does not seem to agree. She wonders, "If it be/Why seems it so particular with thee?" (I.ii.74-75).

This is the main point that Shakespeare wishes to make here; Hamlet's reply to his paternity's death is specific to him. In response to his mother's query well-nigh his mood, he asserts, "Seems, madam? Nay, it is. I know not 'seems'"(I.ii.76). It is not act with Hamlet; his grief runs deep. Certainly, his mother does not bewail for the deceased king in the same manner. Thus, it becomes axiomatic to the ref that Hamlet is a man who is controlled to a large boundary by his emotions. He is unable to immediately seek penalize for his father's death because he must process feelings fully in the lead he can act upon them. Indeed, one might make out that this is the main reason that Hamlet goes mad during the course of the undertake -- his inability to resolve his emotions through action.

This is certainly different from Laertes' answer to the news of his father's death. hostile Hamlet, he is able to put by whatever

sorrow and heartache he may be feeling, and respond to Polonius' death in a decisive and aggressive manner. As soon as he discovers his father's murder, Laertes declares, "How came he dead? I'll not be juggled with./To hell, allegiance! Vows to the blackest amaze!/Conscience and grace, to the profound pit!/I dare damnation" (IV.v.130-133). He does not brood over this unpleasant news, and instead, immediately demands revenge for the wrongful death. Laertes declares, "Let come what comes, however I'll be reveng'd/Most thoroughly for my father" (IV.v.135-136).

In blood line to Hamlet, he does not spend days obsessing over the dilate of his father's murder; Laertes insists on receiving answers about the crime so that he will be able to seek vengeance and referee against the party who has wronged his family.

This is in direct contrast to Hamlet, who goes through approximately of the dissolution simply musing about his desired revenge. Unlike Laertes, his code honor does not call for prompt, aggressive action, but instead a calculated, thoughtful act of vengeance. Certainly, it appears that Hamlet spends a great deal of time contemplating the emotional and philosophical fallout of his father's death. The fact that he appears introspective and meditative for most of the play is typified in his famous Act III, scene I solilioquy. Hamlet wonders, "To be, or not to be, that is the question:/Whether 'tis noble in the headway to suffer/The slings and arrows of outrageous fortune,/Or take arms against a sea of troubles/And by opposing end thema" (56-60). It has become obvious to the reader that Hamlet deliberates over all facets of his life, and the murder of his father is certainly no exception. He is deeply troubled by the question of what he should do in the aftermath of such(prenominal) an unjust event.
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