Malcolm Gladwell ends with a precise strong example of pre-judging to conclude his novel. He explains a certain scenario having to do with a trombonist named Abbie Conant. She was a professional and had played for the Royal Opera of Turin in Italy. Conant stubborn to audition for The Munich Philharmonic Orchestra in Europe. One point mentioned is that on Abbies letter response from the Orchestra, it was addressed to Herr Abbie Conant. Dumbfounded, Conant didnt make up and made her way over to her screened audition. As contestant 16, Abbie was very excited to perform Ferdinand Davids Konzertino. Unfortunately, Conant cracked a G, hint the music director, Sergiu Celibidache to sh start Thats who we want! (Gladwell, 246) Despite the feature that Abbie was a Frau not Herr Sergiu was very disappointed. He says that women cannot be trombonists, it is a masculine instrument. He was proven wrong by choosing Frau Conant, to guide the spot in The Munich Philharmonic Orchestra.

To make Sergiu change his mind, would be very hard, because he is a conductor from the old school, and triumphal and strong-willed man with very definite ideas ab bulge how music ought to be played (Gladwell, 246) Conant had to make it through the next two auditions to see if Celibidache was to pick her again or not. She passed so effortlessly her talent was simply, golden. Finally caving in, Sergiu Celibidache let Conant join the orchestra. After a year passing, Abbie was called into a meeting and shortly after, found out she was to be demoted to second trombone. Conant went on probation after finding out this news she did not want to hear. Sadly, it made no release to Sergiu whatsoever. He stated, We need a man for the trombone (Gladwell, 246).If you want to conk out a full essay, order it on our website:
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